INTERACTIVE PUPPET PERFORMANCE TRACKS

 

           “ACHES AND PAINS”        6.5 min.

 

FOR USE WITH AXTELL’S STORYTELLER PUPPET

 

                                                  © COPYRIGHT 2002 AXTRAX PUBLISHING

DIV. OF AXTELL EXPRESSIONS! (805) 642-7282

WRITTEN AND PERFORMED BY: STEVE AXTELL

SPECIAL CONTRIBUTOR: BILL BOLEY

MUSIC, SOUND EFFECTS AND ENGINEERING BY: GREG JACKSON

RECORDED AT TREEHOUSE PRODUCTIONS AND AXTELL ENTERTAINMENT

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LEGAL NOTICE:  By purchasing this routine you have the right to perform this routine and its musical components in live performances only.    Not for use on television or on video productions without written permission.   Limited Warranty of 3 weeks to replace damaged media.  No refunds on

electronic media.   © Copyright and Trademark Axtell Expressions, Inc.  All rights reserved.

 

SEE OTHER AXTRAX AVAILABLE FOR THE MAGIC DRAWING BOARD AND AXTELL PUPPETS AT www.axtell.com

 

CD TRACK #1:         PERFORMANCE -  Does not include your practice lines - use this to perform live.

CD TRACK #2:         REHEARSAL - Includes your practice lines (YOU) that you will perform live.

CD TRACKS #3-12:  MUSIC ONLY- For vents who want to do both parts and cue the music. Cues are numbered   in the script.

 

#3:   Opening music

#4:   Jingle Bells open

#5:   Me, Me, Me

#6:   All the Way…

#7:   Oh What Fun…

#8:   Violin

#9:   Open Sleigh…

#10: Finale

 

PAUSES HAVE BEEN LEFT IN THE RECORDING TO ANTICIPATE AUDIENCE LAUGHTER

YOU CAN MODIFY THE (YOU) LINES TO FIT YOUR PERSONALITY.  REWRITE AND BE CREATIVE!

 

SOUND ADVISE: You can perform this routine by playing the CD on a quality "boom box" portable stereo player in small areas, or over a professional sound system in large areas such as an auditorium or outside. Do not play on a small inexpensive CD player because the sound will distort when you try to play it loudly. 

 

The CD should be played with plenty of volume.  Kids will be laughing hard and will miss the routine if it Is

too quiet, and adults may keep laughter to a minimum for fear of missing parts of the program.  The volume

of the CD should be set about the same as if you were speaking over a microphone to be heard by the

group, or louder.

 

 

 

#3                           Opening song

 

NOTE:    Bring out the puppet  with the music and begin the dialog.

 

 

MAN:                       (As you bring him out over the music)  Where are we? What’s this all about?…huh? Where are we?

 

YOU:                       Ladies and Gentlemen, this is my good friend, (name of puppet).

 

MAN:                       Who are you?

 

YOU:                       You know me…I’m (your name), and we’re here today to…

 

MAN:                       (Ignoring you – looks at audience)   Who are they?…

 

YOU:                       Well, this is an audience.

 

MAN:                       An audience?  (To you) I’d smile at ’em but I forgot my teeth….

 

YOU:                       Oh, that’s too bad.

 

MAN:                       My own audience….heehe…   Hollywood…da, da, da, da…ha, ha…I’ve been waiting years for this…ha, ha…watch what I can do.

 

#4                           Nose fx      .(Puts nose in mouth and gets a big laugh)

 

Ah oh….

 

YOU:                       What’s wrong?

MAN:                       I’m stuck!

 

YOU:                       You’re stuck? Here, let me help.

 

#5                           Backslap fx    (pat him hard on the back)

 

MAN:                       (nose pops out)  (LAUGHTER)    Oh…oh, oh, oh.

 

YOU:                       What’s the matter?

 

MAN:                       Nah…I don’t want to talk about it.

 

YOU:                       Oh, come on.

 

MAN:                       I DON’T WANT TO TALK ABOUT IT! It really bothers me when old people go on and on about their aches and pains.

 

YOU:                       Okay, okay…

 

MAN:                       It’s too much of a bother…

 

YOU:                       Okay, I understand, so why don’t we…

 

MAN:                       (Interrupts you)…it’s much too painful to discuss.

 

YOU:                       What is?

 

MAN:                       My aches and pains!

 

YOU:                       Oh, you hurt somewhere?

 

MAN:                       I hurt everywhere!!

 

                                 

#5                           Aches and Pains,

Aches and Pains,

There isn’t any doubt about ‘em,

Got so many I can’t count ‘em,

Did I ever live without em,

All my Aches and Pains!

                                               

YOU:                       You know you should go see your Doctor about this, he might be able to help you.

 

MAN:                       I just got back from seeing my Doctor.

 

YOU:                       Oh good.   What did he say?

 

MAN:                       He said, “That will be twenty dollars”

 

YOU:                       No, I mean what did you have?

MAN:                       I only had ten dollars.

 

YOU:                       No, I mean what was the problem?

 

MAN:                       I needed ten more dollars!    Ha!

 

YOU:                       I can help you out, when is your next visit?

 

MAN:                       I can’t remember….that’s another problem.

 

YOU:                       Do you have other problems?  (Bob nods)  Okay…

 

                                How’s your head?

 

MAN:                       Oh, it’s dead.

 

YOU:                       How’s your neck?

 

MAN:                       It’s a wreck!

 

YOU:                       How’s your shoulder?

 

MAN:                       Getting’ older!

 

YOU:                       How’s your chest?

 

MAN:                       Needs a rest!

 

YOU:                       How’s your heart?

 

MAN:                       Needs a start!

 

YOU:                       How’s your leg?

 

MAN:                       (brakes fx)  Funny you should ask…it’s numb, can’t feel a thing.

                               

YOU                        Really?

 

MAN                        Deader than a door nail…pinch it.

 

YOU                        I don’ t want to hurt your leg!

 

MAN                        You can’t hurt it, go ahead…pinch it.

 

YOU                        O.K….

 

MAN                        Ouch, not that one!

 

YOU                        Oops…sorry!

 

MAN                        Aches and Pains,

Aches and Pains,

There isn’t any doubt about ‘em,

Got so many I can’t count ‘em,

Did I ever live without em,

All my Aches and Pains!

 

YOU             What was that?

 

MAN             My Personal Pill Prompter

 

YOU             Your personal Pill Prompter?

 

MAN             Time to take a pill. Could I persuade you to pull a pink pill from the place I put it?

 

YOU             You want me to pull a pink pill from the place you put it?

 

MAN             Please.

 

YOU             Possibly. Where is the place that you put your pink pill?

 

MAN             I put the pink pill next to a purple pill in my…..pocket!

 

YOU             You have a pair of pills in your pocket?

 

MAN             Precisely.

 

YOU             You’re going to pop a pill in public?

 

MAN             (Looks at you)  You’re pushin’ it.

 

YOU:               Okay, okay…I’ll get it for you.

 

MAN:               Thanks.

 

YOU:               Say, what kind of pill is this?

 

MAN:               It’s a special pill the doctor said would take care of all my pains.

YOU:               Here it is…(pretending to hold it in your hand, you look at the pill and  whisper to the audience)  This is just CANDY!

Here ya’ go.  (Pretend to put the pill in his mouth)

 

MAN:              Thanks. 

 

#6                  Swallow fx

 

(He jerks, jumps, ping-pongs to the sounds)

 

 

                       Deflating sound    (pull him down to his hips – very low)

 

 

 

 

 

 

 

 

 

 

 

YOU:              Wow! Are you feeling better?

 

MAN:            Oh yeah, now I can do my stretches.

 

YOU:            Oh good, you exercise. Can you show us some of your stretches?

 

MAN:             Sure, here’s an easy one.

#7                 Creak fx

 

                    (groans as you bend him over his feet and back                      up again.)

 

YOU:            Good job!

 

MAN:            Here’s another one, but I need a little help.

 

YOU:           Oh sure, anything.

 

MAN:            Okay…lift my arm.

 

#8                Ratchet fx

                     More….more! 

YOU:            That’s too far!

 

MAN:            Do it!

 

YOU:            O.K….   

 

#8:               Ratchet fx

 

MAN:            There!

 

YOU:            Oh, that looks like it hurts!

 

MAN:            Huh…that’s nothing! Get the other one.

 

YOU:            Oh no!

MAN:            Do it!!

 

YOU:            O.K.

 

#8:               Ratchet fx

 

MAN:            (Groans)

 

YOU:            No, I can’t!

 

MAN:            Do it!!!

 

YOU:            (Sigh)

 

#8:               Ratchet fx

 

MAN:            There ya’ go…now the legs.

 

YOU:            Oh, come on!

 

MAN:            LIFT MY LEG!! 

 

YOU:            This one?

 

MAN:            Yeah, lift it!

 

#9:               Tearing fx

 

                     Not that way!!

 

YOU:            Oh, sorry!

 

#10              Rubber band fx

 

  Tuck his foot        between his side and your side.

MAN:            (groans)  Okay, now…take my other leg and…

YOU:            Not again!

 

MAN:            DO IT!!!

 

YOU:            O.K.

 

#10:             Rubber band fx

 

                     Now where do you want me to put it?

 

MAN:            Anywhere!

 

YOU:            O.K.  (You stuff foot into his mouth)

 

MAN:            Mmmmmmmm…

 

                     I know…you don’t want to talk about it.

 

MAN:            Mmmmmmmmm…

 

YOU:            What’s that?

MAN:            Mmmmmmmm…

 

YOU:            You’re not done?

 

MAN:            Humm, humm.

 

YOU:            There’s more?

 

MAN:            Umhum…

 

#11:             Bouncing fx   (You bounce him up and down off your hand).

 

YOU:            Wow, you must be feeling better…give him a hand!

 

#12:             Closing music.

 

 

END

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